To many football fans, the archetypal number ten represents
the sport at its purest. Tasked with playing in whatever tiny pockets of space
they can find behind the striker, their role is to create. This duty is, on the
face of it, at odds with the inevitable congestion in a central and advanced
position; to carry it out, therefore, the number ten must be the most inventive
man on the pitch.
Sumptuous skills and perfectly-weighted passes that most
wouldn’t even have spotted are the bread and butter of the number 10 – the end
is to create space where there is none, and this necessarily makes the means
beautiful to behold. In the modern game, however, such a player is a rare breed.
The raw skills are still there, but the increasing tactical insistence that
space be created through fluid off-the-ball movement means that the position
itself is under threat. In an age of ‘juego de posicion’, the system as a whole
meticulously works the space that the number ten once conjured from nothing.
There is undoubtedly beauty in this, too, but where is the magician left once
the circus shuts down to make way for the factory?
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A common trend is for those who cut their teeth in the
number 10 role to be shunted out into a wide position. The fluid front three
has become the system of choice for many of the top teams: Messi, Suarez and
Neymar led the way on this in their time together at Barcelona, spawning many
pale imitations around Europe. Messi has never been a traditional number ten –
he is more of a creative forward than he is an attacking midfielder, although
to label him is to risk doing an injustice to arguably the greatest player that
ever lived.
Regardless of what he is best defined as, it is beyond dispute that
he spent much of his early career working chances for himself and others from
‘in the hole’ - even he, a generational talent, found himself shifted to the
wing in order to accommodate the irresistible rise of the modern incarnation of
the 4-3-3. The wide position was notional in as much as the whole point of the
system was to give Messi and his fellow forwards freedom to interchange, but
this was how space was to be generated: markers were to be shaken off prior to
receiving the ball, and the room to work a goal opened up by virtue of this
off-the-ball movement. Of course, this takes admirable levels of tactical
awareness and skill in and of itself; it would be folly to detract from the
brilliance of the system when properly executed.
Nor could it realistically be
argued that Messi was wasted on the wing; the formidable Barcelona trio notched
an unprecedented 122 goals in all competitions in the first season they played
together, and Messi received the 2015 Ballon D’Or in recognition of his
contribution to this. Furthermore, and even more pertinently, some of the
resulting football was truly breathtaking to behold; why, then, should the
potential demise of the traditional number 10 be lamented?
There are essentially two points to be made. The first lies
in the fact that Lionel Messi is, in all meanings of the word, exceptional: it
would be foolish to say that his ability to adapt seamlessly to a different
role, and indeed pick up a fifth Ballon D’Or in the process, means that all
number 10s will continue to thrive once moved out wide. This is particularly
true given that most will generally not enjoy the benefit of two truly
world-class forwards making up the rest of the front line. Barcelona can
effectively be placed to one side as anomalously good – this leaves the
question of whether number 10s, in general, are able to emulate the
performances they produce centrally when deployed on the left or right of a
front three.
The answer can be at least partially found in examining the
varying skill-sets required for each role. A number ten, as elucidated earlier
on, is all about operating in tight spaces; their job, simply put, is to take
opposition players out of the equation so as to give others the space to score.
This requires excellent close control, extraordinary vision, a range of
passing, and that unquantifiable trait of flair that makes or breaks a good
attacking midfielder. Traditional wingers, meanwhile, are all about pace and
crossing ability. Of course, this is an unfair comparison; a winger in the
modern, fluid 4-3-3 will have modified duties. Pace is still useful, and indeed
the ability to put in a good cross does not hurt, but the passing and technique
so important in the number 10 role are roughly transferable skills when it comes
to today’s conception of a winger. However, attacking midfielders with great
vision arguably find their best asset somewhat wasted on the wing. In a
perfectly-functioning fluid system there is opportunity for such a winger to
come both infield and deep to pick out passes to runners, but anything short of
this leaves the would-be creator stuck out wide with limited opportunities to
thread the needle and in doing so break the defensive line.
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Liverpool’s Philippe Coutinho is a good case study. Some of
his greatest moments in a red shirt have involved mouth-watering passes to
teammates from a central position, but his regular deployment out on the left
has reduced his chances to produce such brilliance. One particular assist from
the back end of the 2012/13 season comes to mind – a delightful pass with the
outside of the foot, bending round the Fulham centre-back and perfectly into
the path of Daniel Sturridge. In a wider role, particularly when working with a
midfield three that can at times be accused of lacking creativity and dynamism,
his opportunities to come inside and pick out players running from deep have
been much more limited. Again, this point should not be construed as taking
anything away from Coutinho’s performances in a front three; the aforementioned
significant amount of transferable skills between the positions, combined with
his undoubted talent, has allowed him to impress to the point where Barcelona
have come to call. However, there is at least a case to be made that he would
have thrived even more in what might be called his natural position. Injury has
not allowed him to play in behind Mane, Firmino and Salah too regularly this
season, but the argument that he is at least partly wasted on the wing is
certainly backed up by the few occasions where he has reverted to something
more closely resembling an attacking midfielder.
Even this role, though, is not the now near-mythical number
ten that embodies creativity and style, and this leads on to the second point.
It is largely one of sentiment. As has been stressed from the outset, the style
of play that involves smooth passing, quick movement and almost methodical
carving-open of defences is both effective and beautiful in its own right; that
it has reduced the prominence of number 10s is not to be taken as an attack on
its validity. However, once in a while, the football fan finds himself pining
for the magic show. This is not what is delivered by a would-be number ten
playing behind a fluid front three; the movement in front of him takes a lot of
the strain of drawing the defenders, and he is left to deliver a masterclass in
passing.
Pep Guardiola is almost synonymous with the new style being described,
and within his City side Kevin De Bruyne provides the model for such a player. Flair
and close control are very much still in his locker, but he only needs to take
them out on occasion; rather it is the playmaking that takes centre stage. The
Belgian is second-to-none in this regard, and uses the space created for him in
ways very few others would be able to do, but he is simply not often required
to twist and turn to make the room for himself. When a goal is scored, crowds
are left to appreciate the exact manner in which the team as a whole - aided
greatly by De Bruyne - dissected the opposition. They are not left asking
themselves how on earth what they have just seen can be possible.
This is the
joy that only a number 10 can bring, spinning away from his man with an
outrageous piece of invention. The number 10 is the Ronaldinho strike against
Chelsea, the progress of Maradona through an entire England defence, Dennis
Bergkamp’s spin and flick into the path of Lljunberg; it is hard to accept that
the modern game is sanitising these moments, making a science out of what was
once an art.
Of course, this is not to say that the beautiful game is
losing its essence. At most, it can be suggested that standards of beauty are
being altered; synchronicity and fluidness are replacing individual technique
and brilliance as the ultimate standard. The new era should be embraced,
bringing as it does such a wealth of benefits; it is a shame, however, that the
number 10 role as we know it is a seemingly necessary casualty. Tactical
preferences come and go, and hope remains that the great magicians of the game
will come to the fore once more, but at least for the time being it seems as
though the sorts of outrageous tricks that provided some of the defining
moments of a generation are being confined to the back garden.